Список работ Сальвадора Дали
За свою творческую жизнь Сальвадор Дали создал более 1500 художественных произведений[1], среди которых картины, иллюстрации для книг, литографии, графические работы, скульптуры. Кроме того, художник занимался оформлением декораций и костюмов для театральных постановок, дизайном ювелирных украшений, флаконов для духов. Ниже следует список работ Сальвадора Дали, расположенных в хронологическом порядке.
1910—1919
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| Пейзаж близ Фигераса | 1910 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Vilabertran | 1913 | ||
| Праздник в Фигерасе (Фиеста в Фигерасе) | 1914-16 | ||
| Head of Athene | 1914 | ||
| Landscape Near Ampurdan | 1914 | ||
| Без названия | 1914 | ||
| Без названия | 1914 | House by a Lake | |
| Dutch Interior | 1915 | Фонд Гала и Сальвадора Дали | |
| Пейзаж | 1916 | ||
| Пейзаж | 1916 | ||
| Без названия | 1916 | Landscape with Animals | |
| Witches and the F of Eve | 1916-18 | ||
| Cadaqués | 1917-18 | ||
| Crepuscular Old Man | 1917-18 | ||
| View of Cadaqués with Shadow of Mount Pani | 1917 | ||
| Bathers | 1918-19 | ||
| Лодка | 1918 | ||
| Couple Near the Fortress | 1918 | ||
| Утка | 1918 | ||
| Hort del Llane | 1918-19 | ||
| Playa Port Alguer De La Riba, D’en Pitxot | 1918-19 | ||
| Playa Port Alguer from Riba d’en Pitxot | 1918-19 | ||
| Port of Cadaqués (Night) | 1918-19 | ||
| Portdogué | 1918-19 | ||
| Portrait of Lucia (Retrato de Lucia) | 1918 | ||
| Punta es Baluard de la Riba d’en Pitxot | 1918-19 | ||
| Sea View | 1918-19 | ||
| Still Life | 1918 | ||
| Без названия | 1918 | ||
| Vilabertrin Church Tower | 1918-19 | ||
| Es Pianc | 1919 | ||
| Es Poal — Pianque | 1919-20 | ||
| Evening Ball at the Patio of Mariona | 1919 | ||
| Landscape (Cadaqués) | 1919-20 | ||
| Llané Beach, Cadaqués | 1919 | ||
| My Cousin Montserrat | 1919-20 | ||
| Old Man of Portdogué | 1919-20 | ||
| Orchard at Llané (Cadaqués) | 1919-20 | ||
| Port Dogué — Cadaqués | 1919 | ||
| The Port of Cadaqués | 1919 | ||
| Portrait of a Gipsy | 1919 | ||
| Portrait of Hortensia, Peasant Woman of Cadaqués | 1919 | ||
| Portrait of Joaquim Montaner (Allegory of a Sailor) | 1919-20 | ||
| Portrait of Mr. Pancraci | 1919 | ||
| Sailboat with Figure. Study for the Boat in «El Son» | 1919 | ||
| Self-Portrait in the Studio | 1919 | ||
| Still Life: Pomegranates | 1919 | ||
| The Tartan «El Son» | 1919 | ||
| The Three Pines | 1919 |
1920—1929
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| The Artist’s Father at Llane Beach | 1920 | ||
| The Bay at Cadaqués, with Cucurucuc Rock and the Sorrell, Peninsula | 1920 | ||
| Boxer | 1920 | ||
| Calanque Jonculs (Cadaqués) | 1920 | ||
| Сад в Льянэ | 1920-21 | ||
| Grandmother Ana Sewing | 1920 | ||
| The Lake at Vilabertran | 1920 | ||
| Landscape (Cadaqués) | 1920 | ||
| Landscape Near Cadaqués | 1920-21 | ||
| Landscape Near Cadaqués | 1920-21 | ||
| Moonlight Over the Bay At, Cadaqués | 1920 | ||
| Mother | 1920 | ||
| Portrait of the Artist’s Mother, Dofia Felipa Dome Domenech De, Dalí | 1920 | ||
| Portrait of the Violoncellist Ricardo Pichot | 1920 | ||
| Portrait of Jose M. Torres | 1920 | ||
| Saltimbanques | 1920-21 | ||
| The Sardana of the Witches | 1920 | ||
| Satirical Portrait of Trotsky | 1920 | ||
| Small Rocky Bay of Nans (Cadaqués) | 1920-21 | ||
| Still Life | 1920 | ||
| Still Life by a Window | 1920 | ||
| Studies for a Self-Portrait and Portrait of My Father | 1920 | ||
| Study for «My Family» | 1920 | ||
| Study for Portrait of My Father | 1920 | ||
| Study for a Self-Portrait | 1920 | ||
| Tieta | 1920 | ||
| Two Gypsy Lads | 1920-21 | ||
| Two Studies for Portrait of My Father | 1920 | ||
| Без названия | 1920-21 | the Artist in His Studio in Riba D’en Pitxot in Cadaqués | |
| The Vegetable Garden of Llaner | 1920 | ||
| View of Cadaqués from Playa Poal | 1920 | ||
| View of Portdogué (Port Aluger) | 1920 | ||
| Back View of Cadaqués | 1921 | ||
| Cover of «Per La Musica, Poems» | 1921 | ||
| Fair of the Holy Cross — The Circus | 1921 | ||
| Festival at San Sebastian | 1921 | ||
| Festival in Figueras | 1921 | ||
| Festival of St. Lucia At, Villamalla | 1921 | ||
| Landscape Near Cadaqués | 1921 | ||
| Llaner Beach in Cadaqués | 1921 | ||
| Man Holding Up a Baby as Though He Were Drinking from a Bottle | 1921 | ||
| Man with Porron | 1921 | ||
| Moonlight at Little Llané | 1921 | ||
| Motherhood | 1921 | ||
| Muse of Cadaqués | 1921 | ||
| Nymphs in a Romantic, Garden | 1921 | ||
| The Picnic | 1921 | ||
| Portrait of Grandmother Ana Sewing | 1921 | ||
| Portrait of Jaume Miravidles as a Footballer | 1921-22 | ||
| Portrait of My Father | 1921 | ||
| Portrait Ofjaume Miravidles | 1921-22 | ||
| Poster: Fieres i Festes de la Santa Creu | 1921 | ||
| Romeria — Pilgrimage | 1921 | ||
| Rural Scene | 1921 | ||
| A Seated Man and a Dancing Couple | 1921 | ||
| Автопортрет | 1921 | ||
| Автопортрет | 1921 | ||
| Автопортрет | 1921 | ||
| Self-portrait (Figueres) | 1921 | ||
| Self-portrait with the Neck of Raphael | 1921 | ||
| Still Life for the Cover of «Per La, Musica, Poems» | 1921 | ||
| Title Page of the Magazine 'Empordá Federal' and Title Design for «Biografia d’en Pep Ventura» | 1921 | ||
| Voyeur | 1921 | ||
| Young Girls in a Garden | 1921 | ||
| Brothels | 1922 | ||
| Cabaret Scene | 1922 | ||
| Cadaqués | 1922 | ||
| Cubist Composition (Shapes) | 1922 | ||
| Cubist Composition — Still Life with Guitar | 1922 | ||
| Drinker | 1922 | ||
| Female Figure with Head in Arms | 1922 | ||
| The First Days of Spring | 1922-23 | ||
| Fishermen at Cadaqués | 1922 | ||
| Fishing Folk at Cadaqués | 1922 | ||
| Horse | 1922 | ||
| Jug | 1922-23 | ||
| Landscape — Cadaqués | 1922 | ||
| The Lane to Port Lligat with the View of Cape Creus | 1922-23 | ||
| Madrid, Architecture and Poplars | 1922 | ||
| Portdogué and Mount Pani from Ayuntamiento | 1922 | ||
| Seated Woman | 1922 | ||
| Автопортрет | 1922 | ||
| Натюрморт | 1922 | ||
| Натюрморт | 1922 | ||
| Натюрморт | 1922 | ||
| Still Life (Pulpo y scorpa) | 1922 | ||
| Still Life — Fish | 1922 | ||
| Still Life with Aubergines | 1922 | ||
| Still Life with Glass | 1922 | ||
| Study of a Foot | 1922 | ||
| Summer Night | 1922 | ||
| Без названия | 1922-23 | Landscape Near Madrid | |
| Без названия | 1922 | Scene in a Cabaret in Madrid | |
| Villa Pepita | 1922 | ||
| All Shapes Derive from the Square | 1923 | ||
| Barracks (Cadaqués) | 1923 | ||
| Bathers of La Costa Brava — Bathers of Llaner | 1923 | ||
| Cadaqués | 1923 | ||
| Cadaqués (Seen from the Tower of Creus) | 1923 | ||
| Coffee House Scene in Madrid | 1923 | ||
| Crystalline Still Life | 1923 | ||
| Cubist Composition — Portrait of a Seated Person Holding a Letter | 1923 | ||
| Cubist Self-Portrait with «La Publicitat» | 1923 | ||
| Domestic Scene | 1923 | ||
| El Moli — Landscape Near Cadaqués | 1923 | ||
| Figueras Gypsy | 1923 | ||
| Figures in a Landscape at Ampurdan | 1923 | ||
| Fried Egg on the Plate without the Plate | 1923 | ||
| Grandfather Clock | 1923 | ||
| Group of Young Catalan Girls | 1923 | ||
| Harlequin Sitting at a Table | 1923 | ||
| The Jorneta Stream | 1923 | ||
| La Jorneta | 1923 | ||
| Landscape Near Cadaqués | 1923 | ||
| Luis Buñuel and a Toreo | 1923-24 | ||
| Maternity | 1923 | ||
| Nude in a Landscape | 1923 | ||
| Portrait of My Cousin Ana, Maria Domenech | 1923 | ||
| Portrait of My First Cousin | 1923 | ||
| Portrait of My Sister (original State) | 1923-24 | ||
| Reverse Side of «Study of a Nude» | 1923 | ||
| Satirical Composition («The Dance» by Matisse) | 1923 | ||
| Автопортрет | 1923 | ||
| Self-portrait with L’Humanitie | 1923 | ||
| The Sick Child (Self-portrait in Cadaqués) | 1923 | ||
| Натюрморт | 1923 | ||
| Натюрморт | 1923 | ||
| Still Life: Fish with Red Bowl | 1923-24 | ||
| Study for «Woman with a Child» | 1923 | ||
| Study of a Nude | 1923 | ||
| Venus and Memory of Avino | 1923-24 | ||
| Woman Nursing Her Son (Mujer amamantando a su hijo) | 1923 | ||
| Ana Maria | 1924 | ||
| Bather | 1924 | ||
| Bouquet (L’Important c’est la Rose) | 1924 | ||
| Head of a Man with a Child | 1924-25 | ||
| Pierrot and Guitar | 1924 | ||
| Plant | 1924 | ||
| Port Alguer | 1924 | ||
| Portrait of Ana Maria | 1924 | ||
| Портрет Луиса Буньюэля | 1924 | Центр искусств королевы Софии | |
| Portrait of Manuel de Falla | 1924-25 | ||
| Portrait of a Woman | 1924 | ||
| Бутылка рома с сифоном | 1924 | Центр искусств королевы Софии | |
| The Station at Figueras | 1924 | ||
| Натюрморт | 1924 | ||
| Натюрморт | 1924 | ||
| Натюрморт | 1924 | ||
| Still Life: Watermelon | 1924 | ||
| Triple Portrait of García Lorca | 1924 | ||
| Bay of Cadaqués | 1925 | ||
| Cala Nans | 1925 | ||
| Don Salvador and Ana Maria Dalí (Portrait of the Artist’s Father and Sister) | 1925 | ||
| Double-sided Verso (Studio Scene) | 1925 | ||
| Female Nude | 1925 | ||
| Figure at a Window | 1925 | ||
| Girl from the Back | 1925 | ||
| Girl Reclining on a Bed (Ana-Maria Dalí) | 1925 | ||
| Landscape Near Ampurdan | 1925 | ||
| Landscape Near Ampurdan | 1925 | ||
| Nude in the Water | 1925 | ||
| Pierrot Playing the Guitar | 1925 | ||
| Port Alguer | 1925 | ||
| Портрет моего отца | 1925 | ||
| Portrait of the Artist’s Father and Sister | 1925 | ||
| Portrait of Ana Maria (Cadaqués) | 1925 | ||
| Portrait of Maria Carbona | 1925 | ||
| Portrait of Maria Carbona | 1925 | ||
| Purist Drawing | 1925 | ||
| Seated Monk | 1925 | ||
| Self-portrait Dedicated to Frederico | 1925 | ||
| Натюрморт | 1925 | ||
| Still Life with Moonight | 1925 | ||
| Study for «Venus and Sailor» | 1925 | ||
| Study of Nude | 1925 | ||
| Thought | 1925 | ||
| Venus and a Sailor | 1925 | ||
| Venus and a Sailor | 1925 | ||
| Venus and a Sailor — (Homage to Salvat-Papasseit) | 1925 | ||
| Venus with Cupids | 1925 | ||
| Venus with Cupids (detail) | 1925 | ||
| Abstract Composition | 1926 | ||
| Ana Maria, Sewing | 1926 | ||
| Корзина с хлебом | 1926 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Cubist Figure (Figura cubista) | 1926 | ||
| Female Nude | 1926 | ||
| Femme Couchée (Nu Alongé) | 1926 | ||
| Плоть на камнях (исп. Figura damunt les roques) | 1926 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Figure on the Rocks (Penya Segats) | 1926 | ||
| The Girl — Study for «The Girl of Ampurdan» | 1926 | ||
| The Girl of Figueras | 1926 | ||
| Girl Sewing | 1926 | ||
| Girl with Curls | 1926 | ||
| Girl’s Back | 1926 | ||
| Homage to Erik Satie | 1926 | ||
| Neo-Cubist Academy (Composition with Three Figures) | 1926 | ||
| Portrait of Federico García Lorca | 1926-27 | ||
| Portrait of a Girl in a Landscape (Cadaqués) | 1926 | ||
| Portrait of Sefiora Abadal De’Argemi | 1926 | ||
| Portrait of a Woman, (unfinished) | 1926 | ||
| Rocks at Llane (Landscape near Cadaqués) | 1926 | ||
| Rocks of Llané (first version) | 1926 | ||
| Sailor and His Family | 1926 | ||
| Self-Portrait Being Duplicated into Three | 1926-27 | ||
| Still Life with Two Lemons | 1926 | ||
| Study for «Girl Sewing» | 1926 | ||
| Study for Girl Sewing | 1926 | ||
| Study for «Ana Maria». Cover of the Catalogue for Dalí's Second Exhibition at the Dalmau Gallery in Barcelona | 1926 | ||
| Study for «Blood Is Sweeter Than Honey» | 1926 | ||
| Study for «Girl Sewing» | 1926 | ||
| Study for «Girl Sewing» | 1926 | ||
| Venus and Sailor (Girl and Sailor; Unfinished) | 1926 | ||
| Woman in a Chemise, Lying, (Study for «Women Lying on the Beach») | 1926 | ||
| Women Lying on the Beach | 1926 | ||
| Механизм и рука | 1927 | Музей Сальвадора Дали | |
| Automatic Drawing (Без названия) | 1927 | ||
| Barcelonese Mannequin | 1927 | ||
| Figure Edged in Flames | 1927 | ||
| Harlequin | 1927 | ||
| Head | 1927 | Draft of a Double Image | |
| Head of a Woman | 1927 | ||
| Мед слаще крови (этюд) | 1927 | ||
| Nude Woman in an Armchair | 1927 | ||
| Ocell… Peix | 1927-28 | ||
| The Poet on the Beach of Ampurias — Federico Garcia Lorca | 1927 | ||
| Saint Sebastian | 1927 | ||
| Мелкие останки (Бесплодные усилия) | 1927-28 | Центр искусств королевы Софии | |
| The Severed Hand | 1927-28 | ||
| Still Life by the Light of the Moon | 1927 | ||
| Study for «Still Life by the Light of the Moon» | 1927 | ||
| Без названия | 1927 | ||
| Abstract Composition | 1928 | ||
| Anthropomorphic Beach (first state) | 1928 | ||
| Anthropomorphic Beach (fragment) | 1928 | ||
| Bather | 1928 | ||
| The Bather (Beigneuse) | 1928 | ||
| Big Thumb | 1928 | ||
| Bird | 1928 | ||
| Composition | 1928 | ||
| The Donkey’s Carcass | 1928 | ||
| Female Nude | 1928 | ||
| Feminine Nude (first State) | 1928 | ||
| Fishermen in the Sun | 1928 | ||
| Fishermen in Cadaqués | 1928 | ||
| Moonlight | 1928 | ||
| The Ram (The Spectral Cow) | 1928 | ||
| Rotting Bird | 1928 | ||
| Self-Portrait Dedicated to Federico Garcia Lorca | 1928 | ||
| Shell | 1928 | ||
| Soft Nude (Nude Watch) | 1928 | ||
| The Spectral Cow | 1928 | ||
| Sun | 1928 | ||
| Сюрреалистическая композиция | 1928 | «Инаугуральная гусиная кожа», «Мясо праздничной курицы» | |
| Symbiotic Woman-Animal | 1928 | ||
| Unsatisfied Desires | 1928 | ||
| Без названия | 1928 | ||
| Без названия | 1928 | ||
| Без названия | 1928 | ||
| Без названия (the Sea and the Fishermen) | 1928 | ||
| The Wounded Bird | 1928 | ||
| Accommodations of Desire | 1929 | ||
| Иногда я с наслаждением плюю на портрет моей матери | 1929 | Центр Помпиду | |
| André Breton, the Great Anteater | 1929-31 | ||
| The Butterfly Chase | 1929 | ||
| Загадка желания | 1929 | Пинакотека современности | «Мою мать, мою мать, мою мать…» |
| Первые дни весны | 1929 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Великий мастурбатор | 1929 | Центр искусств королевы Софии | |
| Illumined Pleasures | 1929 | ||
| Imperial Monument to the Child-Woman | 1929 | ||
| The Invisible Man | 1929 | ||
| The Invisible Man | 1929 | ||
| The Kiss — Study for the Couple Who Are Embracing in «The Great Masturbator» | 1929 | ||
| Мрачная игра | 1929 | частная | |
| Man with Unhealthy Complexion Listening to the Sound of the Sea (The Two Balconies) | 1929 | ||
| Phantasmagoria | 1929 | ||
| Portrait of Paul Eluard | 1929 | ||
| Profanation of the Host | 1929 | ||
| Studies for «The Enigma of Desire» and «Memory of the Child-Woman» | 1929 | ||
| Study for «the Enigma of Desire — My Mother, My Mother, My Mother» | 1929 | ||
| Study for «The Great Masturbator» | 1929 | ||
| Study for «The Lugubrious Game» | 1929 | ||
| Study for «Invisible Sleeping Woman, Horse, Lion» and for «Paranoiac Woman-Horse» | 1929-39 |
1930—1939
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| Andromeda | 1930 | ||
| The Average Bureaucrat | 1930 | ||
| The Bleeding Roses | 1930 | ||
| Chocolate | 1930 | ||
| Consequences: Dalí, Gala Eluard, Valentine Hugo, André Breton | 1930 | ||
| The Feeling of Becoming | 1930 | ||
| The Font | 1930 | ||
| The Ghost of the Evening | 1930 | ||
| Gradiva (Study for «The Invisible Man») | 1930 | ||
| The Great Masturbator — Frontispiece for «The Visible Woman» | 1930 | ||
| The Hand | 1930 | ||
| Head of Hair | 1930 | ||
| Invisible Sleeping Woman | 1930 | ||
| Invisible Sleeping Woman | 1930 | ||
| Oedipus Complex | 1930 | ||
| Paranoiac Woman-Horse | 1930 | ||
| Portrait of Mr. Emilio Terry (unfinished) | 1930 | ||
| Premature Ossification of a Railway Station | 1930 | ||
| Pyre. Poster Design for the th Anniversary of the French Communist Party | 1930 | ||
| The Red Tower (Anthropomorphic Tower) | 1930 | ||
| Study for «The Dream» | 1930 | ||
| Study for «Invisible Sleeping Woman, Horse, Lion» | 1930 | ||
| Study for «Invisible Sleeping Woman, Horse, Lion» | 1930 | ||
| Tactile Cinema | 1930-31 | ||
| Без названия — Feminine Nude — Frontispiece of «La Femme Visible» | 1930 | ||
| Vertigo | 1930 | ||
| William Tell | 1930 | ||
| Board of Demented Associations (Fireworks) | 1931 | ||
| Combinations (or The Combined Dalínian Phantasms: Ants, Keys, Nails) | 1931 | ||
| Diurnal Illusion: the Shadow of a Grand Piano Approaching | 1931 | ||
| The Dream | 1931 | ||
| Erotic Drawing | 1931 | ||
| Figure Clock | 1931 | ||
| Gradiva | 1931 | ||
| Gradiva Finds the Anthropomorphic Ruins | 1931 | ||
| Landscape | 1931 | ||
| Le Spectre et le Fantome | 1931 | ||
| Mme. Reese | 1931 | ||
| The Old Age of William Tell | 1931 | ||
| Olive | 1931 | ||
| On the Seashore | 1931 | ||
| Paranoiac Visage — Postcard Sent by Picasso to Dalí | 1931 | ||
| Partial Hallucination. Six apparitions of Lenin on a Grand Piano | 1931 | ||
| Постоянство памяти | 1931 | MoMA | |
| Portrait of Gala | 1931 | ||
| Remorse or Sunken Sphinx | 1931 | ||
| Shades of Night Descending | 1931 | ||
| Solitude | 1931 | ||
| Symbiosis of a Head of Seashells | 1931 | ||
| Untided (William Tell and Gradiva) | 1931 | ||
| Без названия | 1931 | ||
| Без названия — Erotic Drawing | 1931 | ||
| Vegetable Metamorphosis | 1931 | ||
| Woman Sleeping in a Landscape | 1931 | ||
| They Were There | 1931 | ||
| Agnostic Symbol | 1932 | ||
| Anthropomorphic Bread | 1932 | ||
| Anthropomorphic Bread | 1932 | ||
| Automatic Beginning of a Portrait of Gala (unfinished) | 1932 | ||
| The Average Fine and Invisible Harp | 1932 | ||
| Babaouo — Publicity Announcement for the Publication of the Scenario of the Film | 1932 | ||
| The Birth of Liquid Desires | 1932 | ||
| The Birth of Liquid Fears | 1932 | ||
| Detail of «Meditation on The Harp» | 1932-34 | ||
| Утренние фантазии | 1932 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| The Dream Approaches | 1932-33 | ||
| Eggs on the Plate Without the Plate | 1932 | ||
| Eggs on the Plate Without the Plate | 1932 | ||
| Figure Study for «William Tell» | 1932 | ||
| Frontispiece for «Le Revolver Ii, Cheveux Blancs» by André Breton | 1932 | ||
| Gradiva | 1932 | ||
| Незримый человек | 1932 | Центр искусств королевы Софии | |
| The Knight at the Tower | 1932 | ||
| The Meeting of the Illusion and the Arrested Moment — Fried Eggs Presented in a Spoon | 1932 | ||
| Memory of the Child-Woman | 1932 | ||
| The Mysterious Sources of Harmony | 1932-33 | ||
| Nostalgia of the Cannibal | 1932 | ||
| Ordinary French Loaf with Two Fried Eggs Riding Without a Plate | 1932 | ||
| Paranoaic Metamorphosis of Gala’s Face | 1932 | ||
| Phosphene of Laporte | 1932 | ||
| Portrait of the Viscountess Marie-Laure de Noailles | 1932 | ||
| Portrait of Gala | 1932-33 | ||
| Preliminary Study for «Portrait of Vicomtesse Marie-Laure Cle Noailles» | 1932 | ||
| Studies for «Weaning of Furniture-Nutrition» | 1932-33 | ||
| Study for the Nurse in «The Weaning of Furniture-Nutrition» | 1932-33 | ||
| Study for «Large Painting» | 1932 | ||
| Study for «Meditation on The Harp» | 1932-33 | ||
| Study for «Memory of the Child-Woman» | 1932 | ||
| Suez | 1932 | ||
| Surrealist Architecture | 1932 | ||
| Surrealist Essay | 1932 | ||
| Surrealist Object Gauge of Instantaneous Memory | 1932 | ||
| The True Painting of «The Isle of the Dead» by Arnold Bocklin at the Hour of the Angelus | 1932 | ||
| Без названия | 1932 | ||
| Без названия (Erotic Drawing) | 1932 | ||
| Без названия — Cyclist with a Loaf of Bread on His Head | 1932 | ||
| Без названия — Female Figure with Catalonian Bread | 1932 | ||
| The Veiled Heart | 1932 | ||
| William Tell, Gradiva and The Average Bureaucrat | 1932 | ||
| Ambivalent Image | 1933 | ||
| Apparition of My Cousin Carolineta on the Beach at Rosas | 1933 | ||
| Архитектонический «Анжелюс» Милле | 1933 | Центр искусств королевы Софии | |
| Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp | 1933 | ||
| Bureaucrat and Sewing Machine — Illustration for «Les Chants de Maldoror» | 1933 | ||
| The Bust of a Retrospective Woman | 1933 | ||
| Cannibalism of Objects (inscribed: Meat Glass, Meat Aeroplane, Meat Spoon, Meat Watch, Meat Head) | 1933 | ||
| Cannibalism. Illustrations for «Les Chants De Maldoror» by Lautreamont | 1933 | ||
| The Enigma of William Tell | 1933 | ||
| Flesh Aeroplane. Illustration for «Les Chants De Maldoror» by Lautreamont | 1933 | ||
| Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses | 1933 | ||
| Geological Destiny | 1933 | ||
| Gradiva | 1933 | ||
| Illustration for Les Chants de Maldoror by the Count of Lautreamont | 1933-34 | ||
| The Judges | 1933 | ||
| Knight of Death (variant) | 1933 | ||
| Myself at the Age of Ten When I Was the Grasshopper Child | 1933 | ||
| Necrophilic Fountain Flowing from a Grand Piano | 1933 | ||
| The Phantom Cart | 1933 | ||
| The Phantom Cart | 1933 | ||
| The Phenomenon of Ecstasy | 1933 | ||
| Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder | 1933 | ||
| Reverie — Password: Mess Up, All the Slate | 1933 | ||
| Soft Watches | 1933 | ||
| Study for «The Enigma of William Tell» | 1933 | ||
| Study for «Portrait of the Vicomtesse de Noailles» | 1933 | ||
| Sugar Sphinx | 1933 | ||
| Sugar Sphinx (detail) | 1933 | ||
| Surrealist Figure in the Landscape of Port Lligat | 1933 | ||
| Surrealist Figures, Joint Drawing by Dalí and Picasso | 1933 | ||
| Surrealist Horse — Woman-Horse | 1933 | ||
| The Temple of Love | 1933 | ||
| The Triangular Hour | 1933 | ||
| Two Faces of Gala | 1933-34 | ||
| Без названия | 1933-34 | ||
| Без названия | 1933 | Study for Parts of «Invisible Harp, Fine and Medium» and Parts of «Skull with Its Lyric Appendage Leaning on a Bedside, Table…» | |
| Без названия | 1933 | Death Outside the Head/Paul Eluard | |
| Aerodynamic Chair | 1934 | ||
| Allegory of an American Christmas | 1934 | ||
| Apparition of My Cousin Carolinetta on the Beach at Rosas | 1934 | ||
| Atavism at Twilight | 1934 | ||
| Atavistic Vestiges After the Rain | 1934 | ||
| Atmospheric Skull Sodomizing a Grand Piano | 1934 | ||
| Bust of Joella Lloyd | 1934 | ||
| Cannibalism of the Praying Mantis of Lautreamont | 1934 | ||
| Cardinal | 1934 | ||
| Conic Anamorphosis | 1934 | ||
| Consequences | 1934 | ||
| Consequences: Gala Eluard, Dalí, André Breton, Valentine Hugo | 1934 | ||
| Consequences: Gala Eluard, Valentine Hugo, André Breton, Dalí | 1934 | ||
| Consequences: Valentine Hugo, André Breton, Gala Eluard, Dalí | 1934 | ||
| Consequences: Valentine Hugo, Dalí, André Breton, Gala Eluard | 1934 | ||
| Eclipse and Vegetable Osmosis | 1934 | ||
| Enigmatic Elements in the Landscape | 1934 | ||
| Figure — Omelettes | 1934 | ||
| Figure and Drapery in a Landscape | 1934 | ||
| Figure with Drawers for a Four-part Screen | 1934 | ||
| Fossil Cloud | 1934 | ||
| Призрак Вермера Делфтского, способный послужить и столом | 1934 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| The Ghost of Vermeer van Delft | 1934 | ||
| Ghost of Vermeer Van Delft | 1934 | ||
| Hairdresser Depressed by the Persistent Good Weather | 1934 | ||
| Homage to Millet — for CeciIe, in Friendship | 1934 | ||
| The Hour of the Crackled Visage | 1934 | ||
| Hysterical and Aerodynamic, Nude — Woman on the Rock | 1934 | ||
| The Invisible Harp | 1934 | ||
| The Isle of the Dead — Centre, Section — Reconstructed, Compulsive Image, After Becklin | 1934 | ||
| The Javanese Mannequin | 1934 | ||
| The Knight of Death | 1934 | ||
| The Knight of Death (Horseman) | 1934 | ||
| The Little Theater | 1934 | ||
| Masochistic Instrument | 1934 | ||
| Meditation on the Harp | 1934 | ||
| Melancholy — to Marcel Remy in Friendship, Salvador Dalí | 1934 | ||
| Moment of Transition | 1934 | ||
| Morning Ossification of the Cypress | 1934 | ||
| Night Spectre on the Beach | 1934 | ||
| Omelette About to Be Irreparably Crushed by Hands | 1934 | ||
| Omelettes with Dynamic, Mixed Herbs | 1934 | ||
| Paranoiac Astral Image | 1934 | ||
| Persistence of Fair Weather | 1934 | ||
| Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose) | 1934 | ||
| Portrait of Rene Crevel (Dedicated to Julien Green) | 1934 | ||
| Portrait of Rene Crevel (Man with a Cigarette) | 1934 | ||
| Portrait of a Woman | 1934 | ||
| The Sense of Speed | 1934 | ||
| The Ship | 1934-35 | ||
| The Signal of Anguish | 1934 | ||
| Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal’s Nest | 1934 | ||
| The Specter of Sex Appeal | 1934 | ||
| The Spectre of the Angelus | 1934 | ||
| Study for «Cardinal, Cardinal!» | 1934 | ||
| Surrealist Furniture. Preparatory Drawing for Singularities | 1934-35 | ||
| Surrealist Knight for a Four-part Screen | 1934 | ||
| Surrealist Knights for a Four-part Screen, Centre Right | 1934 | ||
| Surrealist Poster | 1934 | ||
| Surrealist Warriors for a Four-part Screen, Centre Left | 1934 | ||
| Title Unknown — Ghost | 1934 | ||
| The Tower | 1934 | ||
| Без названия (Desert Landscape) | 1934 | ||
| Без названия (Dreams on the Beach) | 1934 | ||
| Без названия — Young Girl with a Skull | 1934 | ||
| The Weaning of Furniture-Nutrition | 1934 | ||
| West Side of the Isle of the Dead — Reconstructed Compulsive Image After Becklin | 1934 | ||
| The Angelus of Gala | 1935 | ||
| Археологический отголосок «Анжелюса» Милле | 1935 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Don Quixote | 1935 | ||
| Drawing for «American Weekly» | 1935 | ||
| The Echo of the Vold | 1935 | ||
| Exquisite Cadaver | 1935 | ||
| Лицо Мэй Уэст, использованное в качестве сюрреалистической комнаты | 1935 | Чикагский институт искусств | |
| The Horseman of Death | 1935 | ||
| Landscape After De Chirico (unfinished) | 1935 | ||
| Mediumnistic-Paranoiac Image | 1935 | ||
| The Nostalgic Echo | 1935 | ||
| Nostalgic Echo | 1935 | ||
| Paranoiac Visage | 1935 | ||
| Paranoiac Visage — The Postcard Transformed | 1935 | ||
| Paranoiac-Critical Solitude | 1935 | ||
| Paranonia | 1935-36 | ||
| Poster Project | 1935 | ||
| Puzzle of Autumn | 1935 | ||
| Soft Cramas and Skull Harp | 1935 | ||
| Solitude — Anthropomorphic Echo | 1935 | ||
| Study for «Premonition of Civil War» | 1935 | ||
| Study for «Premonition of Civil War» | 1935 | ||
| Study for «Premonition of Civil War» | 1935 | ||
| Study for «Suburbs of a Paranoiac-Critical Town» | 1935 | ||
| The Surrealist Mystery of New York I | 1935 | ||
| Thought Machine — Illustration for «The Secret Life of Salvador Dalí» | 1935 | ||
| Woman in a Hat Sitting on a Beach. Drawing for «American Weekly» | 1935 | ||
| Woman with a Head of Roses | 1935 | ||
| Ampurdanese Yang and Yin | 1936 | ||
| Ant Face. Drawing for the Catalogue Jacket of Dalí's Exhibition at the Alex Reid and Lefevre Gallery in London | 1936 | ||
| The Anthropomorphic Cabinet | 1936 | ||
| The Ants | 1936-37 | ||
| Aphrodisiac Dinner Jacket | 1936 | ||
| Aphrodisiac Dinner Jacket | 1936 | ||
| Apparition of the Town of Delft | 1936 | ||
| Осенний каннибализм | 1936 | Британская галерея Тейт | |
| Beach Scene (detail study) | 1936 | ||
| Blactric Collars | 1936 | ||
| Bread on the Head of the Prodigal Son | 1936 | ||
| Bust with Drawers | 1936 | ||
| A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano | 1936 | ||
| The City of Drawers | 1936 | ||
| The City of Drawers — Study for the «Anthropomorphic Cabinet» | 1936 | ||
| The City of Drawers — Study for the «Anthropomorphic Cabinet» | 1936 | ||
| A Couple with Their Heads Full of Clouds | 1936 | ||
| A Couple with Their Heads Full of Clouds | 1936 | ||
| Cover of «Minotaure» Magazine | 1936 | ||
| Decalcomania | 1936 | ||
| The Dream places a Hand on a Man’s Shoulder | 1936 | ||
| The Forgotten Horizon | 1936 | ||
| The Fossilized Automobile of Cape Creus | 1936 | ||
| Freudian Portrait of a Bureaucrat | 1936 | ||
| Gala’s Head — Rear View | 1936 | ||
| Geodesic Portrait of Gala | 1936 | ||
| Geological Justice | 1936 | ||
| The Great Paranoiac | 1936 | ||
| Hands Chair | 1936 | ||
| Head of a Woman in the Form of a Battle | 1936 | ||
| Hypnagogic Monument | 1936 | ||
| Landscape with Girl Skipping Rope | 1936 | ||
| Телефон-омар (Телефон-лобстер, Телефон-лангуст) | 1936 | 4 + 6 музеев | скульптура, существуют одноцветная и цветная версии |
| Mae West’s Lips Sofa | 1936-37 | ||
| The Man with the Head of Blue Hortensias | 1936 | ||
| Man with His Head Full of Clouds | 1936 | ||
| Messenger in a Palladinian Landscape | 1936 | ||
| Морфологическое эхо | 1936 | ||
| Морфологическое эхо | 1936 | ||
| Necrophiliac Springtime | 1936 | ||
| Night and Day Clothes | 1936 | ||
| Our Love | 1936 | ||
| The Pharmacist of Ampurdan in Search of Absolutely Nothing | 1936 | ||
| Singularities (Singularitats) | 1936 | ||
| Мягкая конструкция с варёными бобами (Предчувствие гражданской войны) | 1936 | Художественный музей Филадельфии | |
| South (Noon) | 1936 | ||
| Study for the Cover of «Minotaure», No. | 81936 | ||
| Study for «A Couple with Their Heads Full of Clouds» (detail) | 1936 | ||
| Study for «Geodesic Portrait of Gala» | 1936 | ||
| Study for «Spain» | 1936 | ||
| Study of Horsemen | 1936 | ||
| Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History | 1936 | ||
| Солнечный столик | 1936 | Музей Бойманса — ван Бёнингена | |
| Surrealist Composition with Invisible Figures (second version of «Rocks of Llané») | 1936 | ||
| Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra | 1936 | ||
| Венера Милосская с ящиками | 1936 | Чикагский институт искусств | |
| Венера Милосская с ящиками | 1936 | ||
| The Vertebrate Grotto — Transfer Series | 1936 | ||
| White Calm | 1936 | ||
| Woman with Drawers | 1936 | ||
| Anatomical Studies — Transfer Series | 1937 | ||
| Average Pagan Landscape | 1937 | ||
| Burning Giraffe | 1937 | ||
| Жираф в огне | 1937 | Базельский художественный музей | |
| Cannibalism of the Objects | 1937 | ||
| Creation of the Monsters | 1937 | ||
| Dinner in the Desert | 1937 | ||
| Dinner in the Desert Lighted by Giraffes on Fire | 1937 | ||
| Drawers Cannibalism | 1937 | Composition with Drawers | |
| Enchanted Beach (Long, Siphon) | 1937 | ||
| Herodias | 1937 | ||
| How Skyscrapers Will Look in 1987 (Drawing for «American Weekly») | 1937 | ||
| The Hysterical Arch | 1937 | ||
| Imaginary Portrait of Lautréamont at the Age of Nineteen | 1937 | ||
| The Invention of the Monsters | 1937 | ||
| Knights of Death | 1937 | ||
| Метаморфозы Нарцисса | 1937 | Тейт Модерн | |
| Palladio’s Thalia Corridor | 1937 | ||
| Perspectives | 1937 | ||
| Portrait of Freud | 1937 | ||
| Queen Salome | 1937 | ||
| Сон (англ. Sleep) | 1937 | частная | |
| Study for «The False Inspection» (False Perspective) | 1937 | ||
| Study for «The Metamorphosis of Narcissus» | 1937 | ||
| Surrealist Dinner on a Bed (Drawing for a Film Project with the Marx Brothers) | 1937 | ||
| Surrealist Gondola Above Burning Bicycles (Drawing for a Film Project with the Marx Brothers) | 1937 | ||
| Лебеди, отражающиеся в слонах | 1937 | частная | |
| Без названия | 1937 | Hysterical Scene | |
| Без названия | 1937 | Lamp with Drawers (Drawing for an interior) | |
| Без названия | 1937 | Standard Lamp With Crutches (Drawing for an interior) | |
| Без названия | 1937 | Woman with a Flower Head | |
| Visions of Eternity | 1937 | ||
| The Woman in Flames | 1937 | ||
| Apparition of the Figure of Vermeer on the Face of Abraham Lincoln. Study for «The Image Disappears» | 1938 | ||
| Явление лица и вазы с фруктами на берегу моря | 1938 | Уодсворт Атенеум | |
| Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat | 1938 | ||
| Beach with Telephone | 1938 | ||
| Coccyx Women | 1938 | ||
| Composition — Two Women with a Town in the Background | 1938 | ||
| Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone | 1938 | ||
| Enchanted Beach with Three Fluid Graces | 1938 | ||
| The Endless Enigma | 1938 | ||
| Face of the Great Cyclopean Cretin | 1938 | ||
| Fantastic Beach Scene with Skeleton and Parrot | 1938 | ||
| Gradiva | 1938 | ||
| Greyhound | 1938 | ||
| The Image Disappears | 1938 | ||
| Imaginary Figures with a Background of Spanish Monuments (Study for the Costumes for Coco Chanel) | 1938 | ||
| Imperial Violets | 1938 | ||
| Impressions of Africa | 1938 | ||
| Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs | 1938 | ||
| Mandolin, Fruit Dish With Pears, Two Figs on a Table | 1938 | ||
| Mythological Beast | 1938 | ||
| Palladio’s Corridor of Dramatic Surprise | 1938 | ||
| Philosopher Reclining | 1938 | ||
| Portrait of Sigmund Freud | 1938 | ||
| Portrait of Sigmund Freud — Morphology of the Skull of Sigmund Freud. Illustration for «The Secret Life of Salvador Dalí» | 1938 | ||
| Spain | 1938 | ||
| Study for the Self-portrait in «Impressions of Africa» | 1938 | ||
| Study for the Self-portrait in «Impressions of Africa» | 1938 | ||
| Study for The Image Disappears | 1938 | ||
| Высокое мгновение | 1938 | Государственная галерея искусств Штутгарта | |
| The Transparent Simulacrum of the Feigned Image | 1938 | ||
| Без названия | 1938 | ||
| Без названия — Figure (unfinished) | 1938-39 | ||
| The Warning | 1938 | ||
| Actress Betty Stockfeld Is Metamorphosed into a Nurse | 1939 | ||
| Apparition of a War Scene on the Face of Lieutenant Deschanel. Cover of «Match» | 1939 | ||
| Baby Map of the World | 1939 | ||
| Вакханалия | 1939 | ||
| Ballerina in a Death’s Head | 1939 | ||
| Эскизы к картине «Вакханалия» | 1939 | ||
| The Dream of Venus | 1939 | ||
| The Enigma of Hitler | 1939 | ||
| Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat) | 1939 | ||
| Gradiva Becoming Fruits, Vegetables, Pork, Bread, and Grilled Sardine | 1939 | ||
| Gradiva, She Who Advances | 1939 | ||
| Group of Figures | 1939 | ||
| Landscape with Telephones on a Plate | 1939 | ||
| Mad Tristan | 1939 | ||
| Masked Mermaid in Black | 1939 | ||
| Metamorphosis of the Five Allegories of Giovanni Bellini | 1939 | ||
| Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer | 1939 | ||
| Metamorphosis of a Man’s Bust into a Scene Inspired by Vermeer | 1939 | ||
| Philosopher Illuminated by the Light of the Moon and the Setting Sun | 1939 | ||
| Portrait of Gala (unfinished; detail) | 1939 | ||
| Portrait of Sigmund Freud from «The Secret Life» | 1939 | ||
| Psychoanalysis and Morphology Meet | 1939 | ||
| Сценография балета «Вакханалия» | 1939 | ||
| Ширли Темпл — самый молодой и самый священный монстр кино своего времени | 1939 | Музей Бойманса — ван Бёнингена | См. Ширли Темпл |
| Sirens and Graces — Set Design for Dalí's «Bacchanale» | 1939 | ||
| The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy’s in New York. | 1939 | ||
| Study for Apparition of a Vermeer Figure on Abraham Lincoln’s Face | 1939 | ||
| Study for Portrait of Gala | 1939 | ||
| Study for a Ballet Backdrop | 1939 | ||
| Telephone in a Dish With Three Grilled Sardines at the End of September | 1939 |
1940—1949
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| Allegory of Sunset Air (Allegory of the Everning) | 1940-41 | ||
| Arches with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire | 1940 | ||
| Centaur (The Triumph of Nautilus) | 1940 | ||
| Daddy Longlegs of the Evening… Hope! | 1940 | ||
| Etudes d’Anges | 1940 | ||
| Family of Marsupial Centaurs | 1940 | ||
| Figures on the Stairs | 1940 | ||
| The Golden Age — Family of Marsupial Centaurs | 1940-41 | ||
| Group of Women Imitating the Gestures of a Schooner | 1940 | ||
| Lady Louis Mountbatten | 1940 | ||
| March of Time Comittee — Papillon | 1940 | ||
| Old Age, Adolescence, Infancy (The Three Ages) | 1940 | ||
| Perforated House with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire | 1940 | ||
| Невольничий рынок с явлением незримого бюста Вольтера | 1940 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Two Pieces of Bread, Expressing the Sentiment of Love | 1940 | ||
| Без названия (Three Figures and a Cypress) | 1940 | ||
| Лицо войны | 1940 | Музей Бойманса — ван Бёнингена | |
| Cafe Scene. The Figures at the Table Make a Skull — Drawing for the Nightmare in «Moontide» | 1941 | ||
| Car Clothing (Clothed Automobile) | 1941 | ||
| Costume for a Nude with a Codfish Tail | 1941 | ||
| Сценография балета «Лабиринт» | 1941 | ||
| Design for «Labyrinth» | 1941 | ||
| Drawing for the Glass Hallucination in Hitchcock’s Film «Moontide (the House of Dr. Edwards)» | 1941 | ||
| The Eye of Time | 1941 | ||
| The Face of War — Drawing for the Nightmare Scene in the Film «Moontide» | 1941 | ||
| Мёд слаще крови | 1941 | Santa Barbara Museum of Art | |
| Отрочество (Adolescense) | 1941 | Музей реализма Шеринги | Была украдена в 2009 году. Возвращена музею в 2016-м. |
| Invisible Bust of Voltaire | 1941 | ||
| Jewel | 1941 | ||
| Maquette of the scenery for «Labyrinth» | 1941 | ||
| Mysterious Mouth Appearing in the Back of My Nurse | 1941 | ||
| Original Sin | 1941 | ||
| Portrait of Gala | 1941 | ||
| Portrait of Gala. Study for «Galarina» | 1941 | ||
| Portrait of Mrs. George Tait, II | 1941 | ||
| Ruin with Head of Medusa and Landscape | 1941 | ||
| Set of «Tristan and Isolde» | 1941 | ||
| Soft Self-portrait with Fried Bacon | 1941 | ||
| Study for Slave Market with the Appearance of the Invisible Bust of Voltaire | 1941 | ||
| Study for «Original Sin» | 1941 | ||
| Study for «Portrait of Mrs. Georges Tait, II» | 1941 | ||
| Temple — Sketch for a Set Design | 1941 | ||
| The Triumph of Nautilus | 1941 | ||
| Birth of a New World | 1942 | ||
| Composition (Two Harlequins) | 1942 | ||
| Decor for «Romeo et Juliet» | 1942 | ||
| Design for the Interior Decoration of a Stable-Library | 1942 | ||
| Design for the set of «Romeo and Juliet» | 1942 | ||
| Design for the set of «Romeo and Juliet» (backdrops and wing flats) | 1942 | ||
| Design for a poster for «The Secret Life of Salvador Dalí» | 1942 | ||
| Divine Couple — Sketch for «Nativity of a New World» | 1942 | ||
| Equestrian Parade (possibly Set Design for «Romeo and Juliet») | 1942 | ||
| The Flames, They Call | 1942 | ||
| Juliet’s Tomb | 1942 | ||
| Maternite Aux Oiseaux | 1942 | ||
| Melancholy | 1942 | ||
| Mural Painting for Helena Rubinstein | 1942 | панно | |
| Mural Painting for Helena Rubinstein | 1942 | панно | |
| Mural Painting for Helena Rubinstein | 1942 | панно | |
| Nude on the Plain of Rosas | 1942 | ||
| Portrait of the Marquis De Cuevas | 1942 | ||
| Portrait of Mrs. Luther Greene | 1942 | ||
| Portrait of Mrs. Ortiz-Linares | 1942 | ||
| Romeo and Juliet Memorial | 1942 | ||
| Saint George and the Dragon | 1942 | ||
| The Sheep | 1942 | ||
| Study for the campaign against venereal disease: «Soldier Take Warning» | 1942 | ||
| Study for the portrait «Princess Arthchild Gourielli-Helena Rubinstein» | 1942-43 | ||
| Study for the Set of «Labyrinth» — Fighting the Minotaur | 1942 | ||
| Study for the set of «Romeo and Juliet» | 1942 | ||
| The Two on the Cross | 1942 | ||
| Без названия — Design for the Mural Painting for Helena Rubinstein | 1942 | ||
| Без названия — for the campaign against venereal disease | 1942 | ||
| Без названия — Set Design (Figures Cut in Three) | 1942 | ||
| William Tell Group | 1942-43 | ||
| The Broken Egg | 1943 | ||
| Condottiere (Self-Portrait as Condottiere) | 1943 | ||
| Геополитический ребёнок, наблюдающий за рождением нового человека | 1943 | ||
| Le Mendicant | 1943 | ||
| Madonna | 1943 | ||
| Madonna of the Birds | 1943 | ||
| The Madonna of the Birds with Two Angels | 1943 | ||
| Painting for the backdrop of «Cafe De Chinitas» | 1943 | ||
| The Poetry of America (unfinished) | 1943 | ||
| Portrait of Ambassador Cardenas | 1943 | ||
| Portrait of Mrs. Harrison Williams | 1943 | ||
| Princess Arthchil Gourielli (Helena Rubinstein) | 1943 | ||
| Saint Sebastian | 1943 | ||
| The Ship | 1943 | ||
| Stage Curtain for the Ballet «Cafe De Chinitas» | 1943 | ||
| Study for «Galarina» | 1943 | ||
| The Triumph of Tourbillon | 1943 | ||
| Без названия — New Accessoires | 1943 | ||
| The Apotheosis of Homer | 1944-45 | ||
| Dance — the Seven Arts | 1944 | ||
| Drawing for the dust jacket of «Hidden Faces» | 1944 | ||
| Frontispiece for «Hidden Faces» — I Am the Lady… | 1944 | ||
| Gala Naked. Study for «Dream Caused by the Flight of a Bee…» | 1944 | ||
| Галарина | 1944-45 | Театр-музей Дали | |
| Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long | 1944-45 | ||
| Leg Composition. Drawing from a series of advertisements for Bryans Hosiery | 1944 | ||
| Mad Tristan | 1944 | ||
| Monumental Shield for «Hidden Faces» | 1944 | ||
| Music — The Red Orchestra — The Seven Arts | 1944 | ||
| Сон, вызванный полётом пчелы вокруг граната за секунду до пробуждения | 1944 | Музей Тиссена-Борнемисы | |
| Paranoia | 1944 | Surrealist Figures | |
| Sentimental Colloquy | 1944 | Study for a Ballet | |
| Study for the Backdrop of «Mad Tristan» (Act II) | 1944 | ||
| Study for the set of the ballet «Tristan Insane» (Act) | 1944 | ||
| Study for «The Apotheosis of Homer» | 1944 | ||
| Tristan and Isolde | 1944 | ||
| «Tristan and Isolde» — study for the set of the ballet «Bacchanale» | 1944 | ||
| «Tristan Insane»: Costumes for the Spirits of Death | 1944 | ||
| Без названия | 1944 | the Seven Arts | |
| Без названия | 1944 | the Seven Arts | |
| Без названия | 1944 | the Seven Arts | |
| Без названия | 1944 | Design for the ball in the dream sequence in «Spellbound» | |
| Women Metamorphosed | 1944 | the Seven Arts | |
| Autumn Sonata | 1945 | ||
| Корзинка с хлебом | 1945 | Театр-музей Дали | |
| The Broken Bridge and the Dream | 1945 | ||
| Design for the Film «Spellbound» | 1945 | ||
| Design for the Film «Spellbound» | 1945 | ||
| Design for the set of the film «Spellbound» | 1945 | ||
| Don Quixote and the Windmills | 1945 | ||
| Drawing for «Spellbound» | 1945 | ||
| The Eye | 1945 | ||
| Fountain of Milk Spreading Itself Uselessly on Three Shoes | 1945 | ||
| Four Illustrations: Female Figures with Candle | 1945 | ||
| Illustration for «The Autobiography of Benvenuto Cellini» | 1945 | См. Жизнь Бенвенуто Челлини | |
| Illustration for «The Autobiography of Benvenuto Cellini» | 1945 | ||
| Illustration for «The Autobiography of Benvenuto Cellini» | 1945 | ||
| Melancholy | 1945 | ||
| My Wife, Naked, Looking at her own Body | 1945 | ||
| Napoleon’s Nose | 1945 | ||
| Portrait of Mrs. Isabel Styler-Tas | 1945 | ||
| Poster for a Ballet | 1945 | ||
| Resurrection of the Flesh | 1945 | ||
| Shop Window with Sewing Machine and Umbrella | 1945 | ||
| Spellbound | 1945 | ||
| Study for the dream sequence in «Spellbound» | 1945 | ||
| Study for «Portrait of Mrs. Isabel Styler-Tas» | 1945 | ||
| Three Apparitions of the Visage of Gala | 1945 | ||
| Без названия — Portrait of a Woman | 1945 | ||
| Без названия — Scene with Marine Allegory | 1945 | ||
| Victory — Woman Metamorphosing into a Boat with Angels | 1945 | ||
| Benvenuto Cellini and Jupiter | 1946 | ||
| Christmas (Noel) | 1946 | ||
| Composition — Portrait of Mrs. Eva Kolsman | 1946 | ||
| Desert Trilogy — Apparition of a Couple in the Desert — for «Desert Flower» perfume | 1946 | ||
| Desert Trilogy — Apparition of a Woman and Suspended Architecture in the Desert — for «Desert Flower» perfume | 1946 | ||
| Desert Trilogy — Flower in the Desert | 1946 | ||
| Double Image for «Destino» | 1946 | ||
| Drawing for Disney’s «Destino» | 1946-47 | ||
| Madonna | 1946 | ||
| Metamorphose | 1946 | ||
| Nude in the Desert Landscape | 1946 | ||
| One of illustrations for Shakespeare’s «Macbeth» | 1946 | ||
| The Stain | 1946 | ||
| Study for the «Desert» Perfume Advertisement | 1946 | ||
| Искушение святого Антония | 1946 | Королевские музеи изящных искусств | |
| Без названия | 1946 | Spanish Dances in a Landscape | |
| The Annunciation | 1947 | ||
| Battle Over a Dandelion | 1947 | ||
| Cathedral of Thumbs (The Thumbs) | 1947 | ||
| Dematerialization Near the Nose of Nero | 1947 | ||
| Design for «Destino» | 1947 | ||
| Design for «Destino» | 1947 | ||
| Drawing for « Secrets of Magic Craftsmanship» | 1947 | ||
| Feather Equilibrium (Interatomic Balance of a Swan’s Feather) | 1947 | ||
| Hollywood | 1947 | ||
| Hollywood. Cover illustration for «Sunset» magazine | 1947 | ||
| The Impossible Model (drawing for « Secrets of Magic Craftsmanship») | 1947 | ||
| Jour de la Vierge | 1947 | ||
| Портрет Пабло Пикассо в XXI веке | 1947 | Театр-музей Дали | |
| Rock and Infuriated Horse Sleeping Under the Sea | 1947 | ||
| Studies for the air centers and soft morphologies of «Leda Atomica» | 1947 | ||
| Study for Dematerialization of the Nose of Nero | 1947 | ||
| Study for Leda Atomica | 1947 | ||
| Study for «Leda Atomica» | 1947 | ||
| The Three Sphinxes of Bikini | 1947 | ||
| Без названия | 1947 | Temple Frontage with Atomic Explosions | |
| Wheat Ear | 1947 | ||
| Drawing for the programme for the ballet «As You Like It» after Shakespeare’s comedy | 1948 | ||
| Слоны (англ. The Elephants) | 1948 | частная | |
| Leda Atomica | 1948 | первая неокоченная версия | |
| Portrait of Mrs. Mary Sigall | 1948 | ||
| Portrait of Nada Pachevich | 1948 | ||
| Study for a Portrait | 1948 | неокончено | |
| Без названия | 1948 | Landscape | |
| Без названия | 1948 | Male Nude in a Landscape | |
| Без названия | 1948 | Illustration for « Secrets of Magic Craftsmanship» | |
| Four Armchairs in the Sky | 1949 | ||
| Future Martyr of Supersonic Waves | 1949-50 | ||
| «La Turbie» — Sir James Dunn Seated | 1949 | ||
| Lago di Garda | 1949 | ||
| Атомная Леда | 1949 | Театр-музей Дали | |
| Мадонна Порт-Льигата (первая версия) | 1949 | Университет Маркетта | |
| May | 1949 | ||
| Naples | 1949 | ||
| Rome | 1949 | ||
| Set design for the ballet «Los Sacos Del Molinero» | 1949 | ||
| Set design for the ballet «Los Sacos Del Molinero» | 1949 | ||
| Set design for the ballet «Los Sacos Del Molinero» | 1949 | ||
| Set design for the ballet «Los Sacos Del Molinero» | 1949 | ||
| Set design for the ballet «Los Sacos Del Molinero» | 1949 | ||
| Set design for the ballet «Los Sacos Del Molinero» | 1949 | ||
| Study for «The Madonna of Port Lligat» | 1949 |
1950—1959
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| Angel (Study) | 1950 | ||
| Ascent into the Sky | 1950 | ||
| Backdrop for «Don Juan Tenorio» | 1950 | ||
| Carnation and Cloth of Gold | 1950 | ||
| Christ in Perspective | 1950 | ||
| Cork (study for «The Madonna of Port Lligat») | 1950 | ||
| The Creation of Eve — Gaining Twofold Living Nature from the Sleep of Man | 1950 | ||
| Dalí at the Age of Six | 1950 | ||
| Dalí's Moustache | 1950 | ||
| Design for the death scene in «Don Juan Tenorio» | 1950 | ||
| Erotic Beach | 1950 | ||
| The Judgement of Paris | 1950 | ||
| Kneeling Figure (Microphysical Phosphenes) | 1950-51 | ||
| Landscape of Port Lligat | 1950 | ||
| Landscape of Port Lligat with Homely Angels and Fisherman | 1950 | ||
| The Madonna of Port Lligat (detail) | 1950 | ||
| The Madonna of Port Lligat (second version) | 1950 | ||
| Metamorphosis and Dynamic Disintegration of a Cuttlefish Bone Becoming Gala (study for «The Madonna of Port Lligat») | 1950 | ||
| Mystical Carnation | 1950-51 | ||
| Rhinoceros Disintegrating | 1950 | ||
| The Soft Watch | 1950 | ||
| Study after «Madonna and Child» by Piero Della Francesca for «The Madonna of Port Lligat» | 1950 | ||
| Study for the child in «The Madonna of Port Lligat» | 1950 | ||
| Study for the drapery in «The Madonna of Port Lligat» | 1950 | ||
| Study for a Backdrop | 1950 | ||
| Study for head of «Madonna of Port Lligat» | 1950 | ||
| Study for «Myself at the Age of Six…» | 1950 | ||
| Celestial Coronation | 1951 | ||
| Cerberrus. Illustration for Dante’s «Divine Comedy» | 1951 | ||
| Христос Святого Иоанна Креста | 1951 | Художественная галерея и музей Келвингроув | |
| Cosmic Contemplation | 1951 | ||
| Dante | 1951 | ||
| Exploding Flower | 1951 | ||
| Explosive Madonna | 1951 | ||
| The Fallen Angel. Illustration for Dante’s «Divine Comedy» | 1951 | ||
| The Followers of Simon. Illustration for Dante’s «Divine Comedy» | 1951 | ||
| Human Skull Consisting of Seven Naked Women’s Bodies | 1951 | ||
| Illustration for Dante’s «Divine Comedy» | 1951 | ||
| Landscape with Cavalier and Gala | 1951 | ||
| A Logician Devil — Lucifer. Illustration for Dante’s «Divine Comedy» | 1951 | ||
| Portrait of a Child (unfinished) | 1951 | ||
| Portrait of Colonel Jack Warner | 1951 | ||
| Portrait of Katharina Cornell | 1951 | ||
| Portrait of Mrs. Jack Warner | 1951 | ||
| The Queen of the Butterflies | 1951 | ||
| Raphaelesque Head Exploding | 1951 | ||
| Raphaelesque Head Exploding | 1951 | ||
| Study for «Christ of St. John of the Cross» | 1951 | ||
| Без названия | 1951 | Ants and Wheat Ear | |
| The Wheelbarrows | 1951 | ||
| The Angel of Port Lligat | 1952 | ||
| The Angel of Port Lligat | 1952 | ||
| Arithmosophic Cross | 1952 | ||
| Asummpta Corpuscularia Lapislazulina | 1952 | ||
| Дезинтеграция постоянства памяти | 1952-54 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Equestrian Molecular Figure | 1952 | ||
| Eucharistic Still Life | 1952 | ||
| Exploding Head | 1952 | ||
| Foreshortening of Gala | 1952 | ||
| Gala Placida | 1952 | ||
| Галатея со сферами | 1952 | Театр-музей Дали | |
| Head of a Gray Angel | 1952-54 | ||
| Madonna in Particles | 1952 | ||
| Madonna in Particles | 1952 | ||
| Nuclear Cross | 1952 | ||
| Nuclear Head of an Angel | 1952 | ||
| Opposition | 1952 | ||
| Raphaelesque Dynamics | 1952 | ||
| Study for the Head of the Virgin | 1952 | ||
| The Tree | 1952 | ||
| Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet) | 1953 | ||
| Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet) | 1953 | ||
| Costume designs for «Le Ballet Des Vendangeurs» (The Grape Pickers' Ballet) | 1953 | ||
| Dalí's design for a fashion contest under the Theme «The Woman of the Future» | 1953 | ||
| The Grape Pickers: Bacchus’s Chariot | 1953 | ||
| The Royal Heart | 1953 | ||
| Tortoise for «Le Ballet Des Vendangeurs» | 1953 | ||
| The Angel Cross | 1954 | ||
| Anthropomorphic Figure | 1954 | ||
| Колосс Родосский | 1954 | Бернский художественный музей | |
| Crucifixion | 1954 | ||
| Распятие или Гиперкубическое тело | 1954 | Метрополитен-музей | |
| Обнажённый Дали… | 1954 | частная | «Обнажённый Дали, созерцающий пять упорядоченных тел, превращающихся в корпускулы, из которых неожиданно сотворяется Леда Леонардо, оплодотворённая лицом Гала» |
| Equestrian Fantasy — Portrait of Lady Dunn | 1954 | ||
| Gala Contemplating the Corpus Hypercubicus | 1954 | ||
| Galatée | 1954 | ||
| Head Bombarded with Grains of Wheat (Particle Head Over the Village of Cadaqués) | 1954 | ||
| Le Papillon au Rocher | 1954 | ||
| The Lighthouse at Alexandria | 1954 | ||
| The Lighthouse at Alexandria | 1954 | ||
| Madonna and Particle Child (Nuclear Drawing) | 1954 | ||
| The Maximum Speed of Raphael’s Madonna | 1954 | ||
| Microphysical Madonna | 1954 | ||
| Noon (Barracks of Port Lligat) | 1954 | ||
| Portrait of Gala with Rhinocerotic Symptoms | 1954 | ||
| Portrait of Mrs. Ann Woodward | 1954 | ||
| Portrait of Mrs. Reeves | 1954 | ||
| The Pyramids and the Sphynx of Gizeh | 1954 | ||
| Rhinocerotic Disintegration of Illissus of Phidias | 1954 | ||
| Roman Cavalier in Spain | 1954 | ||
| Seven Flies and a Model | 1954 | ||
| Sketch for «Soft Watch, Exploding into Pieces after Twenty Years of Complete Motionlessness» | 1954 | ||
| Soft Watch at the Moment of First Explosion | 1954 | ||
| Statue of Olympic Zeus | 1954 | ||
| Symphony in Red | 1954 | ||
| Two Adolescents | 1954 | ||
| The Walls of Babylon | 1954 | ||
| Содомское самоудовлетворение невинной девы | 1954 | Playboy Mansion (до 2003) | |
| Ascensionist Saint Cecilia | 1955 | ||
| Blue Horns. Design for a Scarf | 1955 | ||
| Combat (Microphysical Warriors) | 1955 | ||
| Illustration for «Tres Picos» | 1955 | ||
| The Lacemaker (copy of the painting by Vermeer Van Delft) | 1955 | ||
| Тайная вечеря | 1955 | Национальная галерея искусства | |
| Paranoiac-Critical Study of Vermeer’s 'Lacemaker' | 1955 | ||
| Portrait of Laurence Olivier in the Role of Richard III | 1955 | ||
| The Rhinoceros Dressed on Lace | 1955 | ||
| The Rhinoceros Dressed on Lace (detail) | 1955 | ||
| Rhinocerotic Bust of Vermeer’s «Lacemaker» | 1955 | ||
| Rhinocerotic Figures | 1955 | ||
| Rhinocerotic Portrait of Vermeer’s «Lacemaker» | 1955 | ||
| Study for The Last Supper | 1955 | ||
| Two Disciples (Study for «Sacrament of the Last Supper») | 1955 | ||
| Без названия (The Amazing Adventure of Vermeer’s «Lacemaker») | 1955 | ||
| Anti-Protonic Assumption | 1956 | ||
| Assumpta Canaveral | 1956 | ||
| Don Quixote | 1956-57 | ||
| Don Quixote | 1956-57 | ||
| Don Quixote | 1956-57 | ||
| Don Quixote | 1956-57 | ||
| Fancy Costumes | 1956 | ||
| The Infant Jesus | 1956 | ||
| The Motionless Swallow. Study for «Still Life — Fast Moving» | 1956 | ||
| Живой натюрморт | 1956 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Rhinocerotic Gooseflesh | 1956 | ||
| Saint Surrounded by Three Pi-Mesons | 1956 | ||
| The Skull of Zurbarán | 1956 | ||
| St. Helena of Port Lligat | 1956 | ||
| Study for a fruit bowl in «Still Life — Fast Moving» | 1956 | ||
| Study for «Nature Morte Vivante» | 1956 | ||
| Без названия | 1956 | Landscape with Butterflies | |
| Vase of Flowers | 1956 | ||
| Wine Glass and Boat | 1956 | ||
| Butterfly Landscape (The Great Masturbator in a Surrealist Landscape with D.N.A.) | 1957-58 | ||
| Celestial Ride | 1957 | ||
| The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera) | 1957 | ||
| The Golden Age (Don Quixote) | 1957 | ||
| The Grand Opera | 1957 | ||
| Metamorphosed Women — The Seven Arts | 1957 | ||
| Modern Rhapsody — The Seven Arts | 1957 | ||
| Red Orchestra | 1957 | ||
| Rock 'n Roll | 1957 | ||
| Saint John | 1957 | ||
| Santiago El Grande | 1957 | ||
| Sorcery — The Seven Arts | 1957 | ||
| Swallow | 1957 | ||
| Без названия (Surrealist Landscape) | 1957-58 | ||
| Allegorical Saint and Angels in Adoration of the Holy Spirit | 1958 | ||
| Angel | 1958 | ||
| Ascension | 1958 | ||
| The Ascension of Christ | 1958 | ||
| Christ. From «The Apocalypse of St. John» | 1958 | ||
| Clown for «The Amazing Adventure of the Lacemaker and the Rhinoceros» | 1958 | ||
| Cosmic Madonna | 1958 | ||
| Cover of «The Apocalypse of St. John» | 1958 | ||
| Detail from «Moonlit Landscape with Accompaniment» | 1958 | ||
| Dionysus Spitting the Complete Image of Cadaqués on the Tip of the Tongue of a Three-Storied Gaudinian Woman | 1958-60 | ||
| Открытие Америки Христофором Колумбом | 1958-59 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Landscape Near Port Lligat | 1958 | ||
| Logical Rapproachment of a Trouser Button and a Pair of Cherries | 1958 | ||
| Медитативная роза | 1958 | частная | |
| Metamorphosis of Hitler’s Face into a Moonlit Landscape with Accompaniment | 1958 | ||
| PI-Mesonic Angel | 1958 | ||
| The Pope’s Ear | 1958 | ||
| Portraif of Chester Dale and His Dog Coco | 1958 | ||
| Portrait of Sir James Dunn | 1958 | ||
| Radiolaire Skeleton. Illustration for « Secrets of Magic Craftsmanship» | 501958 | ||
| Religious Scene in Particles | 1958 | ||
| The Sistine Madonna | 1958 | ||
| The Sistine Madonna (detail) | 1958 | ||
| Study for «The Discovery of America by Christopher Columbus» | 1958 | ||
| Velazquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory | 1958 | ||
| Christ on a Pebble | 1959 | ||
| Leda’s Swan | 1959 | ||
| Of the Very Monarchical Education of the Young | 1959 | ||
| Pieta. From «The Apocalypse of St. John» | 1959 | ||
| Port Lligat at Sunset | 1959 | ||
| Portrait of Reinaldo Herrera Marquis De Torre Casa | 1959 | ||
| Study for «Woman Undressing» | 1959 | ||
| The Vase of Cornflowers | 1959 | ||
| The Virgin of Guadalupe | 1959 | ||
| Woman Undressing | 1959 |
1960—1969
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| The Apocalypse of Saint John | 1960 | ||
| Arabs. Study for «The Battle of Tetuan» | 1960 | ||
| Beatrice | 1960 | ||
| Birth of a Divinity | 1960 | ||
| Birth of a Goddess | 1960 | ||
| Cathedral (unfinished) | 1960 | ||
| Chair with the Wings of a Vulture | 1960 | ||
| The Cosmic Athlete | 1960 | ||
| Вселенский собор | 1960 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Вселенский собор | 1960 | ||
| A Fate of the Parthenon | 1960 | ||
| Female Seated Nude | 1960 | ||
| Figure In the Shape of a Cloud | 1960 | ||
| Gala Nude From Behind Looking in an Invisible Mirror | 1960 | ||
| Hyperxiological Sky | 1960 | ||
| The Life of Mary Magdalene | 1960 | ||
| Madonna | 1960 | ||
| The Maids-in-Waiting (Las Meninas) | 1960 | ||
| The Maids-in-Waiting (Las Meninas; detail) | 1960 | ||
| Portrait of «Bobo» Rockefeller | 1960 | неокончен | |
| Portrait of Countess Ghislaine d’Oultremont | 1960 | ||
| Portrait of Juan de Pareja Repairing a String of His Mandolin | 1960 | ||
| Portrait of a Man (They Were There) | 1960 | ||
| Portrait of Mrs. Fagen | 1960 | ||
| Portrait of St. Jerome | 1960 | ||
| A Propos of the «Treatise on Cubic Form» by Juan de Herrera | 1960 | ||
| Saint Anne and the Infant | 1960 | ||
| Saint Anne and Saint John | 1960 | ||
| San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin | 1960 | ||
| The Servant of the Disciples at Emmaus | 1960 | ||
| Six Figures | 1960 | ||
| The Space Elephant | 1960 | ||
| St. Peter’s in Rome (Explosion of Mystical Faith in the Midst of a Cathedral) | 1960 | ||
| The Trinity (Study for «The Ecumenical Council») | 1960 | ||
| Two Religious Figures | 1960 | ||
| Без названия | 1960 | ||
| Без названия (The Lady of Avignon) | 1960 | ||
| Arabs. Study for «The Battle of Tetuan» | 1961 | ||
| Битва при Тетуане | 1961-62 | частная | См. Битва за Тетуан |
| The Infanta (Standing Woman) | 1961 | ||
| Leda’s Swan (Leda and the Swan) | 1961 | ||
| Mohammed’s Dream (Homage to Fortuny) | 1961 | ||
| Portrait of a Woman — Grey Jacket Wearing a Pearl Necklace | 1961 | ||
| Study for «The Battle of Tetuan» | 1961 | ||
| Study for «The Battle of Tetuan» | 1961 | ||
| The Alchemist | 1962 | ||
| Arab | 1962 | ||
| Arab | 1962 | ||
| Macrophotographic Self-Portrait with the Appearance of Gala | 1962 | ||
| Macrophotographic Self-Portrait with the Appearance of Gala (detail) | 1962 | ||
| Medusa’s Head | 1962 | ||
| Portrait of Mr. Fagen | 1962 | ||
| The Sacred Heart of Jesus | 1962 | ||
| St. George and the Dragon | 1962 | ||
| Study for «The Battle of Tetuan» | 1962 | ||
| Study of a Female Nude | 1962 | ||
| Twist in the Studio of Velazquez | 1962 | ||
| Vision of Fatima | 1962 | ||
| Arabs — the Death of Raimundus Lullus | 1963 | ||
| Arabs — the Death of Raymond Lulle | 1963 | ||
| Desoxyribonucleic Acid Arabs | 1963 | ||
| D’Artagnan | 1963 | ||
| Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger | 1963 | ||
| Galacidalacidesoxyribonucleicacid | 1963 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love | 1963 | ||
| The Judgement of Paris | 1963 | ||
| Madonna with a Mystical Rose | 1963 | ||
| Mohammed’s Dream | 1963 | ||
| Portrait of My Dead Brother | 1963 | ||
| Religious Scene | 1963 | ||
| Study for Deoxyribonucleic Acid Arabs | 1963 | ||
| Study for Deoxyribonucleic Acid Arabs | 1963 | ||
| Study for «Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger» | 1963 | ||
| Без названия (Still Life with Lilies) | 1963 | ||
| Bust of Dante | 1964 | ||
| The Dream of Ezechiel | 1964 | ||
| Female Nude (after restoration) | 1964 | ||
| Landscape with Flies | 1964 | ||
| Madonna with a Rose | 1964 | ||
| Без названия (St. John) | 1964 | ||
| Без названия. Female Nude on a Palette | 1964 | ||
| Venus with Drawers | 1964 | ||
| Venus' Otorhinologic Head | 1964 | ||
| The Anatomy Lesson | 1965 | ||
| Barcelona. Beachwear Design | 1965 | ||
| The Chalice of Life | 1965 | ||
| «Character Masquerading in Pinning Up a Butterfly» | 1965 | ||
| Coming Back. Design for a Beach Two-piece | 1965 | ||
| Crucifixion (Dedication: For Gala Queen of the Divine Dalí) | 1965 | ||
| Dalínian Empire. Design for a Summer Cocktail Dress | 1965 | ||
| The Duke D’Olivares | 1965 | ||
| Extra Flat. Design for a Bikini | 1965 | ||
| Fifty-Fifty. Swimsuit Design | 1965 | ||
| Homage to Meirronier | 1965 | ||
| Homage to Millet | 1965 | ||
| Laocoon Tormented by Flies | 1965 | ||
| Michelin’s Slave — Can Be Used as a Car | 1965 | ||
| Night in the Hotel (Abstract in Black and White) | 1965 | ||
| Odalisque by a Bath (Harem Scene) | 1965 | ||
| ODalísque. Design for a Summer Evening Dress | 1965 | ||
| Philipp II Taking Communion | 1965 | ||
| Portrait of Gala (Gala Against the Light) | 1965 | ||
| Portrait of Mrs. Ruth Daponte | 1965 | ||
| The Railway Station at Perpignan | 1965 | ||
| Апофеоз доллара (англ. Salvador Dalí in the Act of Painting Gala in the Apotheosis of the Dollar) | 1965 | Театр-музей Дали | |
| The Sun of Dalí | 1965 | ||
| Tennis. Design for a Tennis Dress | 1965 | ||
| Thirst | 1965 | ||
| Без названия (Apocalyptic Christ: Christ with Flames) | 1965 | ||
| Без названия (St. John from Behind) | 1965 | ||
| Yellow Astronaut (clerical). Design for a Summer Evening Dress | 1965 | ||
| Large Figure for «Tuna Fishing» | 1966-67 | ||
| Large Figure for «Tuna Fishing» | 1966-67 | ||
| Moses and the Pharaoh | 1966 | ||
| The Progress of «Tuna Fishing» | 1966-67 | ||
| Study for «Tuna Fishing» | 1966-67 | ||
| Study for «Tuna Fishing» | 1966-67 | ||
| Study for «Tuna Fishing» | 1966-67 | ||
| Tuna Fishing | 1966-67 | advanced State | |
| Tuna Fishing | 1966-67 | advanced State | |
| Tuna Fishing | 1966-67 | advanced State | |
| Без названия | 1966 | Erotic Scene with Seven Figures | |
| Ashtray | 1967 | ||
| Dalí-Flower | 1967 | ||
| Figure Climbing a Stair | 1967 | ||
| The Flower Show — Carnation | 1967 | ||
| Gala | 1967 | ||
| Le Voyageur | 1967 | ||
| The Mountains of Cap Creus on the March | 1967 | ||
| One of graphics for «Dali illustre Casanova» (Dali Illustrates Casanova) | 1967 | ||
| Swan-Elephant and Serpent — Can Be Used as an Ashtray | 1967 | ||
| Ловля тунца | 1967 | Фонд Поля Ришара | |
| Cyclops | 1968 | ||
| Fisherman of Port Lligat Mending His Net | 1968 | ||
| Галлюциногенный торреро | 1968-70 | Музей Сальвадора Дали (Сент-Питерсберг) | |
| L’Important C’est la Rose | 1968 | ||
| Light and Shadow | 1968 | ||
| Mad Mad Mad Minerva — Illustration for «Memories of Surrealism» | 1968 | ||
| The Patio of Port Lligat | 1968 | ||
| Sketch for «The Hallucinogenic Toreador» | 1968 | ||
| Study for the Toreador’s Face in «The Hallucinogenic Toreador». The Likeness Suggests That It Could Well Have Become Gala’s Face | 1968 | ||
| Study for «Cosmic Athlete» | 1968 | ||
| Study of Flies for «The Hallucinogenic Toreador» | 1968 | ||
| Tauromachia I — The Torero, the Kill (third and final round of the bullfight) | 1968 | ||
| Debris Christ | 1969 | ||
| Emblem of Wounded Pride | 1969 | ||
| Hour of the Monarchy | 1969 | ||
| Pimp | 1969 | ||
| The Pool of Tears. Illustration for «Alice in Wonderland» by Lewis Carroll in an Edition Published by Maecenas Press, New York | 1969 | ||
| Study of a Male Nude — Saint Sebastian | 1969 | ||
| The Swimming Pool in Port Lligat | 1969-70 | ||
| Tap (Grill) | 1969 | ||
| Toreo Noir | 1969 | ||
| Без названия (Still Life with White Cloth) | 1969 | ||
| Без названия (Surrealist Angel) | 1969 |
1970—1979
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| Apparition of Venus | 1970 | ||
| Christ | 1970 | ||
| The Dalinian Senyera (Catalonian National Flag) | 1970 | ||
| Death Mask of Napoleon | 1970 | ||
| Death Mask of Napoleon | 1970 | ||
| Death Mask of Napoleon — Can Be Used as a Cover for a Rhinoceros | 1970 | ||
| Hannibal Crossing the Alps | 1970 | ||
| Hannibal Crossing the Alps | 1970 | ||
| The Horseman of the Apocalypse | 1970 | ||
| Les Clemolselles D’Avignon (The Girls of Avignon) | 1970 | ||
| Nude Figures at Cape Creus | 1970 | ||
| Op Rhinoceros | 1970 | ||
| Otorhinological Head of Venus | 1970 | ||
| Otorhinological Head of Venus | 1970 | ||
| Patient Lovers (Apparition of a Stereoscopic Face in the Ampurdan Landscape) | 1970 | ||
| Portrait of John Theodoracopoulos | 1970 | ||
| Portrait of Picasso (I Too Have Known the Emperor) | 1970 | ||
| Project for a Swimming Pool in Pubol | 1970 | ||
| Roger Freeing Angelica (St. George and the Damsel) | 1970 | ||
| Silhouette of a Tightrope Walker and Clown | 1970 | ||
| Sketch for a Ceiling of the Teatro-Museo Dalí | 1970 | ||
| Study for the Decoration of the Ceiling in Pubol | 1970 | ||
| Без названия (Michelangelo Head with Drawers) | 1970 | ||
| Winged Victory | 1970 | ||
| The Banker (series of eleven gouaches on different professions) | 1971 | ||
| Caligula’s Horse (Dalí's Horses) | 1971 | ||
| Ceiling of the Hall of Gala’s Chateau at Pubol | 1971 | ||
| The Christian Knight (Dalí's Horses) | 1971 | ||
| Clauilegnio — The Flaming Horse (Dalí's Horses) | 1971 | ||
| Dalí as a Child with His Father | 1971 | ||
| Design for the Pool at Port Lligat | 1971 | ||
| Doctor, Doctor | 1971 | ||
| Figure with Flag. Illustration for «Memories of Surrealism» | 1971 | ||
| Lady Godiva (Dalí's Horses) | 1971 | ||
| Le Char d’Or | 1971 | ||
| Now It Is Evening (Amazon) | 1971 | ||
| The Second Coming of Christ | 1971 | ||
| The Second Coming of Christ | 1971 | ||
| View of Pubol | 1971 | ||
| View of Pubol | 1971 | ||
| Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished) | 1972-73 | ||
| Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished) | 1972-73 | ||
| «Dalí» Palette. Frontispiece for the outline of «The Key Dalí Paintings» | 1972 | ||
| The Daughter of the West Wind | 1972 | ||
| The Face | 1972 | ||
| Gala’s Dream (Dream of Paradise) | 1972 | ||
| Marilyn Monroe | 1972 | ||
| Object for Gala | 1972 | ||
| Overture in Trompe l’Oeil | 1972 | ||
| Palace of the Winds | 1972-73 | ||
| Palace of the Winds (ceiling painting in the Teatro Museo Dalí; detail) | 1972-73 | ||
| Polyhedron. Basketball Players Being Transformed into Angels (Assembling a Hologram — the Central Element) | 1972 | ||
| Quantification of Leonardo de Vinci’s «Last Supper» | 1972 | ||
| Radiators, Radiator-Covers | 1972 | ||
| Автопортрет (фотомонтаж со знаменитым «Мао-Мэрилин», созданным Филиппом Халсманом по просьбе Дали) | 1972 | См. Мэрилин в образе Мао | |
| Sfumato | 1972 | ||
| The Sleeping Smoker | 1972-73 | ||
| The Sleeping Smoker | 1972-73 | ||
| Space Eve | 1972 | ||
| Trajan on Horseback | 1972 | ||
| Без названия (Stereoscopic Painting) | 1972 | ||
| Behind | 1973 | ||
| Ceiling of the «Palace of the Wind» | 1973 | ||
| Figurine-Nike sur un Socle | 1973 | ||
| Gala’s Castle at Pubol | 1973 | ||
| Hercules and Gravida | 1973 | ||
| Hitler Masturbating | 1973 | ||
| Holos! Holos! Velazquez! Gabor! | 1973 | ||
| Las Galas of Port Lligat | 1973 | ||
| Pomona, Autumn | 1973 | ||
| Portrait of Dr. Brian Mercer | 1973 | ||
| The Prince of Sleep (El principe de ensueno) | 1973-79 | ||
| Study for the Commemoration of the First Cylindrical Hologram for Alice Cooper | 1973 | ||
| Three Hyper-Realist Graces (Anti-Racism) | 1973 | ||
| The Angel of Alchemy | 1974 | ||
| Armchair with Landscape Painted for Gala’s Chateau at Pubol | 1974 | ||
| Battle in the Clouds | 1974 | ||
| The Black Mass | 1974 | ||
| Bust of Velazquez Turning into Three Figures Conversing | 1974 | ||
| Christ of St. John on the Cross | 1974 | ||
| Cranach Metamorphosis (Woman in a Mirror) | 1974 | ||
| Equestrian Portrait of Carmen Bordiu-Franco | 1974 | ||
| Figure with Swan | 1974 | ||
| Gala at the Window | 1974 | ||
| Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln — Homage to Rothko (first version) | 1974-75 | ||
| Gala’s Foot | 1974 | ||
| Gala’s Foot (left panel) | 1974 | ||
| Gala’s Foot (right panel) | 1974 | ||
| Nieuw Amsterdam | 1974 | ||
| Nude coming up a Stairway | 1974 | ||
| The Palace of the Wind | 1974 | ||
| The Palace of the Wind | 1974 | ||
| Patio-Garden of the Dalí Museum-Theatre in Figueras | 1974 | ||
| The Phoenix | 1974 | ||
| Ruggiero Freeing Angelica | 1974 | ||
| The Shoe (Surrealist Object Functioning Symbolically) | 1974 | ||
| The Shoe (Surrealist Object Functioning Symbolically) (reconstruction) | 1974 | ||
| Standing Female Nude | 1974 | ||
| To Meli | 1974 | ||
| Transformation of «Antiques» Magazine Cover into the Apparition of a Face | 1974 | ||
| Wounded Soft Watch | 1974 | ||
| Castor and Pollux | 1975 | ||
| The Chair (stereoscopic work, left component) | 1975 | ||
| The Chair (stereoscopic work, right component) | 1975 | ||
| Flamme-Figure | 1975 | ||
| The Giraffe (The Giraffe of Avignon) | 1975 | ||
| Lullus — Homage to Raimundus Lullus (design for a ceiling painting) | 1975 | ||
| Nude in a Landscape | 1975 | ||
| Study for «The Chair» | 1975 | ||
| Architectural Design (Eye Catching Economy) | 1976 | ||
| The Chair (stereoscopic work, left component) | 1976 | ||
| The Chair (stereoscopic work, right component) | 1976 | ||
| Christ Twisted | 1976 | ||
| Christ Twisted | 1976 | ||
| Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln — Homage to Rothko (second version) | 1976 | ||
| Homage to Philosophy | 1976 | ||
| Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component) | 1976-77 | ||
| Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component) | 1976-77 | ||
| Musical Harmony | 1976 | ||
| Perseu | 1976 | ||
| Portrait of Gala | 1976-77 | ||
| Preparatory Drawing for «The Chair» | 1976 | ||
| Soft Monster (Monstruo blando adormercido) | 1976 | ||
| Study for «Las Meninas» (stereoscopic work, left component) | 1976 | ||
| Study for «Las Meninas» (stereoscopic work, right component) | 1976 | ||
| Trajano to Horse | 1976 | ||
| The Unicorn (unfinished) | 1976 | ||
| The Wash Basin (stereoscopic work, left component) | 1976 | ||
| The Wash Basin (stereoscopic work, right component) | 1976 | ||
| Angelic Landscape | 1977 | ||
| Aurora’s Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici) | 1977 | ||
| Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component) | 1977 | ||
| Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component) | 1977 | ||
| Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component) | 1977 | ||
| Daphne: the Tree Woman | 1977 | ||
| Fertility | 1977 | ||
| The Happy Unicorn | 1977 | ||
| Head (stair-way in the museum) | 1977 | ||
| Las Meninas (The Maids-in-Waiting) — first metaphysical hyper-realist painting (unfinished) | 1977 | ||
| Mae West Room | 1977 | ||
| Monument dedicated to Francesco Pujol (Catalan philosopher) | 1977 | ||
| Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light | 1977 | ||
| Patio of the Teatro-Museo Dalí | 1977 | ||
| Portrait of Gala | 1977 | ||
| Randomdot Correlogram — The Golden Fleece (stereoscopic work, left component; unfinished) | 1977 | ||
| Randomdot Correlogram — The Golden Fleece (stereoscopic work, right component; unfinished) | 1977 | ||
| Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape | 1977 | ||
| Spanish Knight | 1977 | ||
| Study for «Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus» | 1977 | ||
| Surrealist Angel | 1977 | ||
| Без названия | 1977 | ||
| Virgin with Swallows | 1977 | ||
| Allegory of Spring | 1978 | ||
| Ampurdanese Landscape | 1978 | ||
| Cybernetic Odalisque | 1978 | ||
| Dark Tapeworms | 1978 | ||
| The Eye of the Angelus (stereoscopic work, left component; unfinished) | 1978 | ||
| The Eye of the Angelus (stereoscopic work, right component; unfinished) | 1978 | ||
| Gala’s Christ (stereoscopic work, left component) | 1978 | ||
| Gala’s Christ (stereoscopic work, right component) | 1978 | ||
| The Harmony of the Spheres | 1978 | ||
| Landscape Near Ampurdan | 1978 | ||
| Pierrot Lunaire (stereoscopic work, unfinished) | 1978 | ||
| A postage stamp designed by Dali for the French mail | 1978 | ||
| Stereoscopic Composition, Based on Millet’s «Angelus» (unfinished) | 1978 | ||
| Stereoscopic Composition, Based on Millet’s «Angelus» (unfinished) | 1978 | ||
| Study for The Harmony of the Spheres | 1978 | ||
| Woman with Egg and Arrows | 1978 | ||
| Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component) | 1979-80 | ||
| Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component) | 1979-80 | ||
| Battle in the Clouds (stereoscopic work, left component) | 1979 | ||
| Battle in the Clouds (stereoscopic work, right component) | 1979 | ||
| Copy of a Rubens Copy of a Leonardo | 1979 | ||
| Dawn, Noon, Sunset, and Twilight | 1979 | ||
| Gala Bouquet | 1979 | ||
| Long Live the Station at Perpignan, Long Live Figueras | 1979 | ||
| More Beautiful than Canova | 1979 | ||
| Nude and Horse with Metamorphosis (unfinished) | 1979 | ||
| Pentagonal Sardana (stereoscopic work, left component) | 1979 | ||
| Pentagonal Sardana (stereoscopic work, right component) | 1979 | ||
| Phosphene | 1979 | ||
| Raphaelesque Hallucination | 1979 | ||
| Searching for the Fourth Dimension | 1979 | ||
| A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished) | 1979 | ||
| Study for «Compianto Diabele» by Canova (unfinished) | 1979 | ||
| Three Graces of Canova (unfinished) | 1979 |
1980—1985
| Название | Год | Коллекция | Примечание |
|---|---|---|---|
| Arabs | 1980 | ||
| Arabs | 1980 | ||
| The Cheerful Horse | 1980 | ||
| Group Surrounding a Reclining Nude — Velazquez | 1980-81 | ||
| Sleeping Young Narcissus | 1980 | ||
| Без названия (Bridge with Reflections; sketch for a dual image picture, unfinished) | 1980 | ||
| Без названия (Landscape with Celestial Beings) | 1980 | ||
| Amphitrite | 1981 | ||
| Apparition of the Visage of Aphrodite of Cnide in a Landscape | 1981 | ||
| Argus | 1981 | ||
| Classic Figure and Head (unfinished) | 1981-82 | ||
| The Exterminating Angels | 1981 | ||
| Figures (Scene after Goya) | 1981 | ||
| Gala in a Patio Watching the Sky, Where the Equestrian Figure of Prince Baltasar Carlos and Several Constellations (All) Appear, after Velazquez | 1981 | ||
| The Garden of Hours | 1981 | ||
| The Gaseous Swan | 1981 | ||
| Great Tapeworm Masturbator, Appears Behind Arcades | 1981 | ||
| Hermes | 1981 | ||
| Jason Carrying the Golden Fleece (unfinished) | 1981 | ||
| Landscape | 1981 | ||
| Landscape with Rock in the Shape of a Triumphal Arch | 1981 | ||
| Medea or Jason Taking Possession of the Golden Fleece | 1981 | ||
| Mercury and Argos | 1981 | ||
| The Path of Enigmas (first version) | 1981 | ||
| The Path of Enigmas (second version) | 1981 | ||
| The Pearl | 1981 | ||
| Reading. Family Scene by Lamplight | 1981 | ||
| Ready-to-wear Fashion for Next Spring: «Garlands, Nests and Flowers» | 1981 | ||
| Seated Figure Contemplating a «Great Tapeworm Masturbator» | 1981 | ||
| Spanish Nobleman with a Cross of Brabant on His Jerkin | 1981 | ||
| Three Female Figures in Festive Gowns | 1981 | ||
| Tower | 1981 | ||
| Tower | 1981 | ||
| The Tower of Enigmas | 1981 | ||
| The Towers | 1981 | ||
| Без названия (Female Bust with Draped Cloth) | 1981 | ||
| Без названия (Head of a Woman; unfinished) | 1981 | ||
| Без названия (Imaginary Landscape at Pubol) | 1981 | ||
| Без названия (Skin of a Beach) | 1981 | ||
| Woman on a Ram | 1981 | ||
| After the Head of «Giuliano di Medici», Florence | 1982 | ||
| After Michelangelo’s «Moses», on the Tomb of Julius II in Rome | 1982 | ||
| After Michelangelo’s «Squatting Child» | 1982 | ||
| Architectural Contortion of El Escorial | 1982 | ||
| Atmospherocephalic Figures | 1982 | ||
| Don Jose Nieto Velazquez from «Las Meninas» by Velazquez, Musec, Del Prado, Madrid | 1982 | ||
| Double Victory of Gaudi | 1982 | ||
| El Escorial and Catastrophe-Form Calligraphy | 1982 | ||
| Enigma (unfinished version of «The Three Glorious Enigmas of Gala») | 1982 | ||
| Exploded Head | 1982 | ||
| Figure after Michelangelo’s «Dawn» on the Tomb of Lorenzo di Medici | 1982 | ||
| Figure in the Water — After a Drawing by Michelangelo for the «Resurrection of Christ» | 1982 | ||
| Figure Inspired by the Adam of the Ceiling of the Sistine Chapel | 1982 | ||
| «Giuliano di Medici» by Michelangelo, Seen from Behind | 1982 | ||
| Head, after Michelangelo’s, «Giuliano di Medici» | 1982 | ||
| Hysterical Venus de Milo | 1982-83 | ||
| In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished) | 1982 | ||
| The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial | 1982 | ||
| Landscape with Hidden Image of Michelangelo’s «David» | 1982 | ||
| Martyr — Inspired by the Sufferings of Dalí in His Illness | 1982 | ||
| Mirror Women — Mirror Heads | 1982 | ||
| Ole | 1982 | ||
| Othello Dreaming Venice | 1982 | ||
| Pieta | 1982 | ||
| Pieta | 1982 | ||
| Rock Figure after the Head of Christ in the «Pieta» of Palestrina by Michelangelo | 1982 | ||
| Saint Sebastian | 1982 | ||
| Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo’s «Evening» on the Tomb of Lorenzo di Medici | 1982 | ||
| Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished) | 1982 | ||
| Study for «Ole» (unfinished) | 1982 | ||
| The Three Glorious Enigmas of Gala | 1982 | ||
| The Three Glorious Enigmas of Gala (second version) | 1982 | ||
| The Tomb of Francesco Pujols | 1982 | ||
| Topological Study for «Exploded Head» | 1982 | ||
| Без названия (After «The Day» by Michelangelo) | 1982 | ||
| Без названия (After «The Night» by Michelangelo) | 1982 | ||
| Без названия (Composition — Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez’s Dwarf) | 1982 | ||
| Без названия (first study for «The Three Glorious Enigmas of Gala») | 1982 | ||
| Без названия — Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial | 1982 | ||
| Без названия — Nude Figures after Michelangelo | 1982 | ||
| Velazquez and a Figure | 1982 | ||
| Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects | 1982 | ||
| Warrior | 1982 | ||
| Bed and Bedside Table Ferociously Attacking a Cello | 1983 | ||
| Bed and Two Bedside Tables Ferociously Attacking a Cello | 1983 | ||
| Bed and Two Bedside Tables Ferociously Attacking a Cello | 1983 | ||
| Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage) | 1983 | ||
| Bed and Two Bedside Tables Ferociously Attacking a Cello (last state) | 1983 | ||
| Bed, Chair and Bedside Table Ferociously Attacking a Cello | 1983 | ||
| Car | 1983 | ||
| Cutlet and Match — The Chinese Crab | 1983 | ||
| Descent from the Cross of a Cello-Christ | 1983 | ||
| Head Inspired by Michelangelo | 1983 | ||
| Pieta | 1983 | ||
| The Pieta of the Cello-Christ | 1983 | ||
| St. George Overpowering a Cello | 1983 | ||
| Study for Bed and Two Bedside Tables Ferociously Attacking a Cello | 1983 | ||
| Study for Chair and Bedside Table Ferociously Attacking a Cello | 1983 | ||
| The Swallowtail | 1983 | ||
| Topological Abduction of Europe — Homage to Rene Thom | 1983 | ||
| Topological Contortion of a Female Figure | 1983 | ||
| Topological Contortion of a Female Figure Becoming a Violoncello | 1983 | ||
| Torre Galatea | 1983 | ||
| The Truck (We’ll be arriving later, about five o’clock) | 1983 | ||
| Без названия (Figures, Pieta, Catastrophic Signs) | 1983 | ||
| Без названия — Head of a Spanish Nobleman, Fashioned by the Catastrophe Model from a Swallow’s Tail and Two Halves of a Cello | 1983 | ||
| Без названия — Series on Catastrophes | 1983 | ||
| Warrior Mounted on an Elephant Overpowering a Cello | 1983 | ||
| Alice in Wonderland | 1984 | ||
| Hommage a Terpsichord (La Danse) | 1984 | ||
| Profile du Temps | 1984 | ||
| The Profile of Time | 1984 | ||
| «Bracceli» the Warrior with a Corpse — Torero Series | 1985 | ||
| Head of Europa — Torero Series | 1985 | ||
| Interpretation of Goya’s Los Caprichos | 1985 | ||
| Six Designs of Playing Cards, The Joker | 1985 | ||
| Two Phoenixes in Combat — Torero Series | 1985 |
Другие работы
Книги
- Завоевание иррационального (1935)
- Тайная жизнь Сальвадора Дали, написанная им самим (1942)
- Сокрытые Лица (1944)
- Illustrations for Macbeth (1946)
- 50 магических секретов мастерства (1948)
- Дневник одного гения (1963)
- Открытое письмо Сальвадору Дали (1967)
- Le Diners De Gala (1973)
- Неописуемые откровения Сальвадора Дали (1976)
Сценарии
- Золотой век (1930)
- Giraffes on Horseback Salad (1937)
- Babaouo (2000)
Фильмы
- Андалузский пёс (1929)
Анимационные работы
- 2003 Destino
Дизайн логотипов
Примечания
- ↑ All Works of Salvador Dali. Дата обращения: 2009. Архивировано из оригинала 29 июля 2009 года.
Ссылки
- Список работ Сальвадора Дали (англ.)